Which uad card gearslutz

I am very happy to be able to use all the excellent plugins to the fullest. When installing to the first PCIe port, the system could not recognize the card, but I installed the card to the second PCIe port and everything was fine, everything works great. UAD plugins are my favorites and I like working with them, I use them in every mix of mine. Thank you Universal Audio. Installed it. Registered it with UAD. Went to go load up some plugins into the insert in the Apollo Twin USB Console and was greeted with the usual message explaining that there is not enough power to run the requested plugins.

So I was obviously confused. Why did I just spend 1, on a pcie octo that promised to allow me to use more plugin power? I thought maybe I was doing something wrong. So I loaded up Ableton Live 11 and started loading up plugins. I checked back and all of the plugins in ableton were being powered by the octo and everything in the console was being powered by the apollo.

This makes no sense to me. Why would you advertise this product the way you've been advertising it? I'm extremely upset about this. I also spent more on plugins and I feel like I just wasted bucks on this being that one of the main reasons I bought it was to increase my console power. So the problem I was dealing with has not been resolved. I spent and have the same issue I had before, the only cool thing is being able to load more into ableton, but why does it not work with my console?

This is a huge flaw. You've been making this for years and years now, the next update better include a feature that allows you to power the apollo console with the pcie octo. Y'all better contact me asap about this. Love the Octo, it has tons of processing power!

So far I bought the Ultimate 9 bundle, and wow, the plugs are great. Reminds me of my roots back in the '90s For me this is the optimal solution for sound processing in my audio production system. Apart from the smooth sound that you get , just by placing it on a track, it does something to it A sort of saturation thing goes on with it that adds a bit of beef to the program material Apart from smooth, you can make it sound aggressive as well Clearly a winner in my book And Finally:- 4: The Realverb Pro It works well enough for what it is but i have to say that for me, no reverb plugin beats my Yamaha N8 reverbs But hey, that's just my opinion So there you have it folks So, I'm keepin mine I have a top-of-the-line Mac tower, and I thought: "Why should I pay for more processing power?

Getting the accelerator is the only way to get the plugins, and it's worth it. I'm only a moderately experienced recordist, and I was able to get some great sounds from this card. The analog compressor plugins are nothing short of awesome. There's a reason people rave about them. It's the one purchase over the years I've never regretted. I got the Solo card, and I liked it so much I got another one.

It's so refreshing that they actually give a crap about their customers and answer questions quickly. Also, they constantly have monthly specials with big discounts on the plugins.

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Review Tools. Subscribe to our Newsletter. By using this site, you agree to our use of cookies. Code by Port Forward. There is also no doubt that Universal Audio are a force to be reckoned with in terms of the quality of their audio processing, and the more powerful card will doubtless entice many new users to dip a toe into the water. I have considerable confidence, given their previous record with software updates, that the company will throw their weight into dealing with the early driver issues and plug—in omissions as soon as they can, but only time will tell how far the UAD2's low—latency performance and host CPU drain can be improved.

There are now more external DSP processing alternatives for computer musicians than when the UAD1 burst onto the scene in , and probably the most direct competitors come from TC Electronic in the form of the TC Powercore series.

I imagine that the choice between the two platforms will usually be made on the basis of the supported plug—ins, so you have to decide whether names like Sonnox, Tubetech, and Noveltech are more tempting than those on Universal Audio's roster. Powercore also already offers virtual instruments, including the Access Virus and Novation's V—Station. Some users may also prefer the option of Firewire interfacing in order to keep PCIe slots free for other purposes.

Alongside the launch of the UAD2, Universal Audio have also announced a selection of new development partners. I was particularly pleased to see that Empirical Labs are now on board, with their first product apparently destined to be a recreation of their Fatso saturation unit. If only Universal Audio can also persuade them to add their Distressor to the line—up, I'll be in heaven! The Little Labs splendid IBP analogue phase—rotator and the EQ from the celebrated Harrison C recording console are also in the works, and it appears that the Valley People marque is on the verge of resurrection too, with plug—in versions of their EQs, compressors, and gates planned by new brand—owners PMI.

Most intriguing, though, is the connection that has been established with Moog, and the announcement of the company's multi—mode filter plug—in. Of course, this plug—in will be of considerable interest in its own right, but with Universal Audio heavily hinting at new developments, such as IR—based processors and virtual instruments, it doesn't seem entirely implausible that a virtual Voyager might shortly see the light of day.

Keep an eye on those News pages, folks! I've always relied on my UAD1 card for certain high—end or specialist plug—ins but it can only run a very limited number of some of the more processor—intensive emulations, so the launch of the UAD2 gave me the push I needed to upgrade to a new quad—core Mac Pro. A single authoriser file can be downloaded from your UA account page and always reflects the plug—ins that you have purchased and registered with them, so moving to a new machine is the job of a few minutes rather than several hours.

If you open a song that used the UAD1 equivalent of a plug—in, the UAD2 opens it quite happily, with none of that 'plug—in not found' nonsense. The speed claim of running 10 times more plug—ins than you can on a UAD1 card is approximately correct — sometimes it is a bit more, sometimes a bit less, but the extra power is really worthwhile and saves you having to compromise by using 'lite' versions of plug—ins that tend to use up loads of processing power.

Now you can build a Neve console from channel—strip plug—ins, with more channels than the hardware guys could ever afford! The new Live Track low—latency mode is also extremely welcome for overdubbing, as any DSP—hosted plug—ins increase the system latency. This works by dispensing with buffering, which on my system hikes up the CPU load but reduces the latency to what you might expect when working with an efficient native plug—in in most cases.

The only frustration for me, and one that should be eased by the end of the year, is that the last handful of plug—ins to be launched for the UAD1 card are not yet ready to be released in UAD2 format. My final observation, though, is that when you consider the cost of the UAD2 card bundles, they offer extremely good value when compared with native plug—in bundles. Each of the new cards is available in three versions, making up three product ranges.

As mentioned in the main article, there are further promotions for early adopters, both first—time buyers and those crossgrading from the UAD1. Whether the retail prices on the street or indeed future exchange—rate fluctuations will make any more sense of this pricing structure I don't know, but as it is the multiple bundles seem a bit complicated, given what appear to be fairly small real—world price differences.

Although there are only three new cards, each of these is available in three versions, making up three product ranges. As mentioned in the main article, there are further promotions for early adopters, both first—time buyers and those cross—grading from the UAD1.

Up to 10 times more powerful than the UAD1, and offering access to a collection of the most sought—after analogue emulation plug—ins, the new UAD2 is certainly a mouth—watering prospect.

For the moment, though, you'd be best advised to use a powerful computer at high buffer sizes if you're to access the maximum plug—in counts. Steinberg Cubase 4.

Line 6 Toneport KB37 audio interface.